The central concept explores an individual’s self-identification with archetypal personalities found within grand theatrical narratives set to music. It is a framework used to connect personal attributes and characteristics with figures prominent in well-known stage productions. For example, a person who values justice and self-sacrifice might identify with Jean Valjean from Les Misrables, while someone driven by ambition and a desire for power might see parallels between themselves and Macbeth, although the latter isn’t exclusively a musical theatre character.
This form of character association provides a lens for self-discovery and reflection. It allows individuals to explore their own motivations, values, and potential pitfalls through the experiences of established characters. Historically, literature and theatre have served as mirrors to society, offering opportunities for vicarious experience and moral contemplation. This specific application extends that function to the world of musical theatre, allowing for greater emotional engagement through song and spectacle.
